On happy endings

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As a child, I had two favourite kinds of books: those that were funny and those that were sad but had happy endings. My favourite author until I was well into my teens was Jacqueline Wilson, who definitely fell into the second of these categories and I loved her for the gritty reality in which her characters lived. I remember progressing quite suddenly from Pippi Longstocking and Paddington Bear onto The Suitcase Kid and being under the distinct impression that I’d moved onto something that in a wonderful way was only semi-fiction.

In many ways the world that she wrote about was so close to real life that the backdrop wasn’t ‘fictional’ to me. I’ve often tried to pin down how she managed this and I’ve come to the conclusion that it’s the way that she portrays her characters’ emotions. In The Suitcase Kid, Andy spoke about her parents’ divorce, about feeling left out from her mum’s new family, about problems at school… Her life certainly improved towards the end of the book, but her parents didn’t magically get back together, and as such, there was no traditional happy ending.

Yesterday, Kevin Brooks was awarded the prestigious Carnegie Medal for The Bunker Diary, his fictional account of a boy who is kidnapped and held hostage in a bunker. He said: “There is a school of thought that no matter how dark or difficult a novel is, it should contain at least an element of hope. As readers, children – and teens in particular – don’t need to be cosseted with artificial hope that there will always be a happy ending. They want to be immersed in all aspects of life, not just the easy stuff.”

But what is most interesting is that Brooks also said that he felt he could have got his book published much earlier (It took ten years from when he first started) if he had changed the ending. The only reason why he didn’t was because he felt that it would have been dishonest. Jacqueline Wilson has frequently spoken about her initial difficulties in getting published back in the 1980s due to the difficult subject matter that she handled and the fact that her books didn’t have happy endings. In the three decades that have passed have things changed in this regard? What are your thoughts?

My favourite books without a happy ending:
– Malorie Blackman Noughts and Crosses
– Patrick Ness A Monster Calls
– John Boyne The Boy in the Striped Pyjamas
– Jacqueline Wilson The Illustrated Mum
– John Green The Fault in our Stars

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